Friday, 1 June 2012

Graveyard at Princeton (1862)

But it was of the dead, not the living, that I was about to speak. Nearly opposite the college Campus we find Witherspoon Street, named after that brave and good man who was president of the college in the days of the Revolution, and one of the signers of the Declaration of Independence. Following this street a short distance, we come to the city of the dead. It is situated on an eminence, commanding a fine view of the surrounding country, embracing the village of Kingston, the distant spires of Trenton, and the blue range of hills beyond which roll the dark waters of the Atlantic. In natural advantages it can not compare with some of our modern cemeteries, but the historic interest which attaches to it more than compensates for the lack of picturesque effect.

The first spot to which the visitor is directed, is the inclosure containing the graves of the presidents of Princeton College. They are all of the old-fashioned style of 'table tombs,' now so seldom constructed; a flat slab, stretched on four walls of solid masonry, covering the whole grave. It was on such a tombstone that, in the old Greyfriars churchyard in Edinburgh, the solemn League and Covenant, from which resulted events so important to Scotland, was signed. No 'storied urn or animated bust' records the virtues of these venerable men,—not even marble in its simplest form has been used to mark their resting-place. The slabs are of coarse, grey stone, with long inscriptions in Latin occupying their entire surface. Many of them, especially that of the pious and renowned Jonathan Edwards, who left his New England home only to find a grave in New Jersey, having died a month after his removal to Princeton, have been most shamefully mutilated by relic-hunters and curiosity-mongers; innumerable pieces having been chipped off the edges of the slabs, until even the inscriptions have been encroached upon. To prevent, if possible, further mutilation, the following unique and elaborate, but eloquent notice, enclosed in an iron frame, has been placed over the graves of these reverend fathers. It was written by Professor, now Dr. Giger, of the college.

Keep your sacrilegious hands off these venerable stones! Parian marble, wrought with consummate skill, could not replace them. Connected with these homely monuments are historical associations that ought not to be forgotten. The scarcity of better materials, the rudeness of monumental sculpture, the poverty of the country, the early struggles and pecuniary embarrassments of the colony, at the period when these monuments were erected, as well as the self-denial and hardships and labors of the distinguished men who gave fame and usefulness to Nassau Hall, are indicated by these rough stones. Nothing modern, nothing polished or magnificent, could suggest the early history of New Jersey. Spare what remains of these broken memorials. Thoughtless young man! why do you break and deface these old monuments? A few fragments carried in your pocket, or placed in your cabinet, will not impart to you the activity and energy of Burr, or the profound and logical intellect of Edwards, or the eloquence of Davies, or the piety and triumphant death of Finley, or the poetical wisdom, the power of governing and inspiring youth, the love of knowledge, and the stern, unflinching patriotism of Witherspoon. If you admire and reverence the character of these great and good men, read their works imitate their example; and forbear, we be[seech you, to add to the shameful mutilation of the frail memorials intended to protect their bones from insult.
But there is a strange and startling incongruity observable in this enclosure. At the foot of the grave where rest the remains of the venerable Aaron Burr, first president of the College of New Jersey, stands a tall white marble monument of modern form and appearance, so utterly out of keeping with the rest of the tombs, that the visitor at once turns to it, and is none the less startled to find that it marks the last resting-place of that other Aaron Burr, the traitor, the duellist, the libertine, whose remains, brought hither in the night, were surreptitiously buried at the feet of his venerated father, and this monument placed over them, years afterwards, in the same manner. And for his father's sake, there they were suffered to remain. 'After life's fitful fever he sleeps well,' in the midst of these old grey stones, and surrounded by the honored dead. The monument bears no record, except his name, the dates of his birth and death, and the statement that he was Vice-President of the United States from 1801 to 1805. It is as if it said,—

'No further seek his merits to disclose,
Or draw his frailties from their dread abode.'


Not a quarter of a mile from where his dust thus reposes, there sleeps, in a neglected grave in a small grove of trees behind the college, one of his hapless victims, a young lady of Philadelphia, who died, as the mouldering headstone, half sunken in the turf, informs us, 'at the early age of twenty-two.'

The next point of interest is the spot where seven or eight elegant shafts of white marble, erected by their class-mates, mark the graves of students who have died during their collegiate course. They are all remarkable for the beauty and chaste simplicity of their design, and the appropriateness of their inscriptions. No historic interest attaches to them; no well-earned fame gilds them with a halo of glory; but a feeling touching and sad creeps over the heart as we read on the tomb the name of each sleeper's distant home, and think of the poor young man dying in the midst of strangers, while doubtless

'There was weeping far away,
And gentle eyes, for him,
With watching many an anxious day,
Were sorrowful and dim.'

Passing on, we reach the graves of the three Alexanders, father and two sons, whose writings are dear to so many Christian hearts. Side by side they repose, under three slabs of pure white marble, inscribed with appropriate epitaphs. That of the father, Archibald Alexander, for fifty years professor in the Theological Seminary, is a simple, unadorned record of his personal history; that of the younger brother, Joseph Addison, who was a man of immense learning, able to read, write, and converse in sixteen languages, tells us that 'his great talents and vast learning were entirely devoted to the exposition and elucidation of the Word of God;' but to New Yorkers that of the elder brother, Dr. James W. Alexander, is fraught with the greatest interest, from his having so lately occupied a prominent place among the first divines and scholars of our country. It runs thus:

SACRED TO THE MEMORY OF
JAMES WADDEL ALEXANDER.

A man of God, thoroughly furnished unto all good works; a learned, elegant, and accomplished scholar; a faithful, affectionate, and beloved pastor; an able, eloquent, and successful preacher; professor of mathematics in the College of New Jersey; professor of ecclesiastical history in Princeton Theological Seminary; pastor of the Presbyterian Church, corner of Fifth Avenue and Nineteenth Street, New York. Throughout his life and labors, he illustrated those gifts and graces that exalt humanity and adorn the church of God.

Scattered about the graveyard are many monuments, attractive and interesting from their artistic beauty alone. One of the most chaste and elegant designs I have ever seen is the tomb erected by a gentleman of Philadelphia, to the memory of his wife, son, and daughter, who perished in the burning of the 'Henry Clay' on the Hudson River. It is in the form of a casket, of white marble, beautifully carved and of graceful form, elevated on a pedestal of polished stone, of a blueish tint. On one end of the casket are inscribed the words

WIFE
DAUGHTER
SON
on the other end,
MOTHER
SISTER
BROTHER

while one side bears the appropriate text of Scripture:—

When thou passest through the waters, I will be with thee; and through the rivers, they shall not overflow thee;
and the other the comforting words:—

For if we believe that Jesus died and rose again, even so them also which sleep in Jesus will God bring with him.
Under a drooping cypress tree, half hidden amid its dark green foliage, is a monument of white marble, in the form of a Greek cross, low but massive, on which there is no epitaph or inscription whatever; but on the little foot-stone beyond it are the simple words:—

Genevieve.
Died 1851,
Aged 18.

Numerous 'broken rosebuds' mark the graves of children, and the device is so often repeated as to become tiresome; but on one handsome monument is carved a wreath of flowers, from which a rose has apparently dropped, and fallen on the pedestal,—a beautiful illustration of the loss the family circle had sustained in the death of her who rests below. Another child-grave, the tombstone a small upright slab surmounted by a wreath of flowers, bears the touching inscription:—

Our only Son,
John Agur E——.
Aged 2 years.

Many graves here, as elsewhere, are adorned with examples of 'graveyard poetry;' but most of it is of that humble character which is illustrated by the following:—

'Farewell, beloved wife: I must go
And leave you in this world of woe.
A few short years, then we shall meet
Together at our Saviour's feet.'

One more epitaph, before we leave this interesting and time-honored place of graves. It is from a plain horizontal slab, not far from the entrance; and is, to our thinking, one of the most beautiful and touching monumental inscriptions ever penned.

Sarah B——,
Wife of the Rev. C—— K——.
A humble worshiper of Christ, she lived in love and died in faith. Truthful woman, delightful companion, ardent friend, devoted wife, self-sacrificing mother, we lay you gently here, our best beloved, to gather strength and beauty for the coming of the Lord.

Bestattung Otto von Habsburg


Bestattung  Otto von Habsburg


VIENNA, Austria — Lederhosen-clad Tyrollean guardsmen hoisted the coffin of Otto Von Habsburg onto their shoulders Saturday, carrying the oldest son of Austria's last emperor to rest in a pomp-filled ceremony evocative of the country's past grandeur as a ruler of much of Europe.

Austria shed its imperial past after it lost World War I. But for six hours, the pageantry, colour and ceremony accompanying the Habsburg burial turned downtown Vienna into the city that was once the hub of the Austro-Hungarian empire.Habsburg, who died July 4 at age 98 in southern Germany, was banished with the rest of his family after the collapse of the empire after World War I. The family then scattered across Europe.

To the end, Habsburg never formally renounced the throne -- but on Saturday he gained entry into Vienna's Imperial Crypt, the final resting place of his dynasty, not as emperor but as a mortal stripped of all honours and titles.Three times, the master of ceremonies knocked on the crypt's doors and twice the coffin was denied entry -- first when Habsburg was named as emperor and holder of dozens of other royal titles, then when his academic and political achievements and other accomplishments were listed."We do not know him!" was the response from the Capuchin friars within. The doors opened onto the sun-filled afternoon and into the gloomy half-light of the chapel above the crypt only after Habsburg was described as "Otto -- a mortal and a sinner."

The crypt was the last stop for the 1.2-kilometre (0.75-mile) crowd of mourners packing the 2.4-kilometre (1.5-mile)route from the Gothic cathedral where Habsburg was eulogized earlier in the day. Police estimated that 10,000 spectators lined the route. Austrian army units in slow funeral march step were followed by a gurney carrying the coffin, covered with the yellow-black Habsburg flag and flanked by the Tyrollean home guardsmen. Next came close family members, then crowned heads from Europe, Austrian government leaders, clergy, men in fanciful Habsburg regiment colours and others dressed in less spectacular garb

The elaborate ceremony in Vienna's St. Stephen's cathedral also evoked the grandeur of the 640-year Habsburg dynasty. The Gothic church was packed, as colorfully clad guardsmen, light cavalry units called dragoons, Hungarian hussars, sword-bearing members of student guilds and representatives other uniformed formations harking back centuries mingled with somberly clad mourners. Two floral crosses of roses were placed on the coffin -- one for Habsburg's seven children, the other for his grand- and great grandchildren. Two giant floral arrangements of 500 white roses and 200 red carnations stood near the coffin.

In another symbolic bow to the Habsburgs, seven bishops from nations of the former Austro-Hungarian empire -- seven countries plus parts of modern-day Montenegro, Italy, Poland, Romania and Serbia and Ukraine -- assisted Austrian Cardinal Christoph Schoenborn.The ceremony included singing the old Imperial Hymn praising the emperor -- although many in the pews stayed silent, reflecting a widespread critical view of the monarchy in modern-day Austria.The coffin of Habsburg's wife, Regina, who died last year, was taken to the crypt earlier Saturday. It has been the final resting place for members of the Habsburg dynasty since 1632 and a prime Vienna tourist attraction. The crypt also contains the hearts of the Habsburgs in urns separate from the coffins. But Habsburg's heart was to be encrypted Sunday in the Benedictine Abbey in Pannonhalma, central Hungary on his request, to reflect the affection he held for Hungary, Austria's 19th century partner in the Austro-Hungarian empire.While never formally renouncing his right to the throne, Habsburg in his later life became an outspoken supporter of parliamentary democracy and a fighter for a united Europe. He used his influence in a vain struggle to keep the Nazis from annexing Austria before World War II, then campaigned for the opening of the Iron Curtain in the decades after the war.

In a message read by Papal Nunzio Peter Stephan Zurbriggen, Pope Benedict XVI praised the gaunt, bespectacled scion of the Austrian empire who was also a member of the European Parliament as a "great European ... who engaged himself tirelessly for the peace and coexistence of peoples and for a fair system on this continent."European Parliament President Jerzy Buzek spoke of the special affection his Polish countrymen and others in Soviet-ruled Eastern Europe had for Habsburg because of his efforts to unify the continent during the Cold War.

"It was very important to us ... on the opposite side of the Iron Curtain," he said. European royals were among the VIPs in the front pews as incense-swinging clergy and the first chords of Michael Haydn's Requiem in C-Minor signalled the start of the Mass. Among them were Sweden's king and queen; the ruling grand duke and grand duchess of Luxembourg; Liechtenstein's ruling duke and duchess; the former kings of Romania and Bulgaria, and representatives of the British, Belgian and Spanish ruling houses.Before the start of the Mass, they and family members stood silently in front of the coffin, heads bowed in respect.

With the 1989 fall of the Berlin Wall, Habsburg used his seat in European Parliament to lobby for expanding the European Union to include former Eastern bloc nations. He was a member of the European Parliament for the conservative Bavarian Christian Social Union in southern Germany and also served as president of the Pan-European League from 1979 to 1999.

Karl, the eldest son of Otto and Regina Habsburg, now runs the family's affairs and has been the official head of the House of Habsburg since 2007.

Robert Smith. Died 1894 Sporle

© Godric Godricson

St Mary - Sporle

© Godric Godricson
Sporle is a Church that has been locked every time that I visit over the past few years. Now, the clergy will often say that “We’re open on Sunday!” and they’ll often say that in a prickly and reproachful sense. Sporle is a sort of affront to the idea of the Church of England being the Established Church in England. The building is locked and unwelcoming. The building and the Church Authorities have clearly turned their back on the people and on visitors. Shame on them.

A Church that I visit on the Isle of Wight had bottles of water and fruit drink available for visitors with clean cups to drink from and the sense of welcome was palpable. On the Isle of Wight it was clear that the Church Authorities wanted you to be there. They actually wanted to welcome the pilgrim and the visitor. Regrettably, Sporle does not bear witness to any welcome at all. Yes, you can visit a neighbouring property and request a key although that seems a little weak as a welcome. Who wants to trouble a local person for a key?

This lack of a welcome is more to do with the building of the Church and religious observance. The graveyard, however, also says something about the welcome given to the visitor and the genealogist. The graveyard as a place of monuments and a cultic place of ancestor worship is a disaster from the 1970’s and Sporle speaks of the vandalism of the Church Authorities who swept away headstones and monuments to the far reaches of the site. The idea was doubtless to create a  mowing platform for the municipal tractor. This disregard of history and antiquity is a real indictment against Parish Authorities who treat their own land and resource with such cavalier disregard.

As a result the graveyard at Sporle is a complete disaster with little to commend it to the visitor. The largely Victorian monuments are crushed against the perimeter and constrained to the fullest extent. Their message is diminished and the names of the dead are covered by the ivy and neglect. The site of the ancient priory is neglected and I almost fear what I’d see on the inside if the doors were ever open.

Sporle demands that we reconsider whether or not the Church of England is a fit and proper Authority to manage the history and cultural assists of England. Perhaps we should copy the French experience and take away the buildings from the denomination and allow the Church the use of the site for acts of worship. This arrangement would at least save the buildings and graveyards from cultural vandalism.

Clara Maria Lane - Sporle


© Godric Godricson
1902 [Celtic cross]
[South side] In loving memory of/ Clara Maria/ beloved wife of/ William Stephen LANE/ died November 26th 1914/ aged 48


Susan Sculpher - Sporle

© Godric Godricson

Sacred to the memory of/ Susan/ wife of/ John SCULPHER/ who died Feby 22nd 1886/ aged 59 years/ For as in Adam all die even so in Christ shall be made alive

Begräbnis von Kaiser Franz Joseph I





Begräbnis von Kaiser Franz Joseph I

Thursday, 31 May 2012

The image of Christ



© Godric Godricson
 
I’ve been very busy recently in relation to this blog and I’ve had the opportunity to visit a lot of beautiful Churches in Norfolk. The sites are invariably ancient and replete with sculpture. In fact, many Churches are often little more than funerary parks full of genealogy and history on the walls and set in to the floors. The image of Christ repeated in artefacts and wall paintings has become an object of fascination. It becomes quite clear that medieval man and more recent ancestors saw something of comfort in the image of a crucified Christ that is often depressing by contemporary standards.

The image of Christ on the cross is enormously powerful and something that is well understood in the West. However  gruesome the idea of crucifixion is to modern man the image is fixed in our consciousness and in Latin art. We have seen in an earlier posting how the Orthodox have dealt with the  matter of blood and death whilst in the West we are a little too literal and fixated on blood and gore.

Resurrection theology is intended to counter the effect of an all too evident and prevalent human death. The image of Christ on the cross is intended to be powerful enough to give strength,  encouragement and hopein the face of the negative effect of death.  Death and burial separates a person from their body which is taken away to a separate place and left to decompose in either the vault or in the soil. This separation from friends and family is personally and intellectually painful and despite the occasional burial of the body within the domestic setting we find that humanity has usually felt the need to serapate the living and the dead.


© Godric Godricson

Death  geographically separates us from our loved ones in a very real way although the monuments often say “loving wife” or something about a wonderful husband. Inevitably, though the death of a loved one always says something about physical and emotional separation from the old world and an entry into the great (other) world beyond. The image of Christ is a sort of talisman and the cross is a sort of ticket that mystically admits humanity onto the other side and into the Kingdom of Heaven. Serene and with all pain erased from the image, the crucified Christ is no longer Jesus the man. Instead, the serene image is divine rather than human. Paul often indicates the next world is the best world and earlier postings indicate how this can be a problem. Death also points to the futility of life and Christ is said to give meaning to life. The calm, cool and untouchable Christ hangs there for all eternity robbed of humanity as he waits for the souls of the departed. Death that brings an end to human fellowship is to be endured and even embraced as we are encouraged to transit from this world to the next. Christian imagery all to often tries to apologise for the harshness of this age and facilitate a move to the other side.

The image of Christ hangs there as a hope and as an expectation for the future. The emaciated and torn flesh that sometimes reflects human existence has become somehow sublime and unattainable. The separation of humanity from God is ‘threatened’ if we move away from the image. Death becomes very real if we move aside from Christ and for medieval man, the presence of the Cross became a totemic image that would make a falseness out of death.

I am always impressed by the way in which the image of Christ in a symbol of victory over death and the decay of the body "Death is swallowed up in victory. "O death, where is your victory? O death, where is your sting?" The sting of death is sin, and the power of sin is the law; but thanks be to God, who gives us the victory through our Lord Jesus Christ" (1 Cor. -57). The image of Christ is intended to reassure humanity that the separation caused by death is not permanent for believers in Christ. The promise of meeting again is given as a sort of corporate reunion.


© Godric Godricson

The modern world has largely lost religious belief and Christ is no longer the celestial talisman that protects, saves and transforms. The mystical pass to the other world was the cross although  that cross now serves as reassurance to fewer and fewer people. Despite this falling away of Christians in society the Churches continue to hold their power as cultic centres. Churches remain as centres of ancestor worship and as a site for funerary art.

Serving many purposes; the Church is full of power on a number of levels although sometimes the most powerful image is a simple image of Christ in a little parish Church hidden away in Norfolk.

Wednesday, 30 May 2012

Sir Henry Josias Stracey, Bart (1802-1885)

Norfolk Annals
       A Chronological Record
 of Remarkable Events in the
Nineteeth Century, Vol. 2
"Died, at Rackheath Park, Sir Henry Josias Stracey, Bart.  A prominent member of a well-known county family, Sir Henry for many years occupied a distinguished position.  Born in 1802, he was educated at Eton, and afterwards served for several years in the 1st Dragoons, and on succeeding to the baronetcy, on the death of his father in 1855, he entered with considerable ardour into politics.  Just previously he had been returned without opposition as one of the representatives of East Norfolk on the retirement of Mr. Edmond Wodehouse.  On the dissolution of Parliament in 1857 Major-General Windham, in the flush of the fame he had gained in the Crimea, was brought forward for East Norfolk with Sir E. N. Buxton, and there being divided opinions in the Conservative camp, Mr. Burroughes and Sir Henry Stracey declined to contest the seat.  On the death of Sir E. N. Buxton in June, 1858, Sir Henry was again nominated, and was defeated by the Hon. Wenman Coke.  In the following year he was returned with Sir Edmund Lacon for Yarmouth, defeating Mr. (afterwards Sir E. W.) Watkin and Mr. Young, and sat for that borough until 1865.  In 1868 he stood for Norwich in opposition to Sir W. Russell and Mr. Tillett, and was returned at the head of the poll, but was unseated on petition.  In 1874 he again came forward, in conjunction with Mr. Huddleston, was unsuccessful, and thereafter took no share in polities. 

Sir Henry married, in 1835, Charlotte, only daughter and heiress of Mr. George Denne, of the Paddock, Canterbury.  He served the office of High Sheriff in 1871, and was a Deputy Lieutenant and magistrate for the county of Norfolk".


Sir Henry Josias Stracey, Bart  (1802-1885)

All Saints Church - Rackheath

© Godric Godricson


Martin Shepheard - Lost at sea 1865


 
© Godric Godricson


Sunday, 27 May 2012

A dark world

The Pentecost programmes  are on TV today and, once more, I began to muse on the world of the dead and the attachment of Christan teaching to a dark and future existence when the sun shines so brightly and creation is wonderful. In their attachment to death Christians wilfully ignore the world of the living.
Albrecht Altdorfer 1515-1516
Wikipedia

Christianity is, I am sure, a mystery cult of the dead. We have seen in this blog that the dead came into the Church at the start of the Christian story and if we rewind a little we can see that Christians hid in the catacombs of Rome and celebrated their rituals amongst the filth of the humid tombs of Rome. One can only imagine the stench down in the tunnels as Romans mouldered away in the heat of an Italian summer. Christianity is a cult of the dead and although it is dressed up in the clothes of ‘ever lasting life’, it seems to satisfy a basic human need for security and reassurance that we are on Earth but will sometime be transported into heaven. Death is, for Christians, a major part of their faith. However, the image of the crucifix has always been difficult to look at and even admire.

I'm no art historian although the crucifix is an entirely miserable and depressing artifact and is not the support to faith that it is supposed to be. Instead, we often find the emaciated and very dead looking Christ hanging there on the cross.  I know that there is supposed to be a Resurrection that reanimates the body to new life but that is for another day. My feeling is that Christians had their ideas of death framed by their ideas about Christ and the cross. An image that is so repellent can only have served to twist and torment the minds of medieval humanity as they looked up to the rood cross and saw the image of Christ hanging there and appearing very dead. Not only dead. Instead, Christ has been horribly tortured and forced to endure the indignities of Roman torment. Christ has been abused and stripped of his clothes, his dignity and later his life would be taken. Inhumanity is nothing that we need to be told about. Life is full of death and suffering and the medieval experience would have been witness to starvation and hunger without reference to religion. The starving and emaciated flesh of the living and the stench of the wounds that wouldn’t heal would always be with the medieval mind. So, why would they wish to be assailed by the Crucifixion to remind them even further of the death of another man?

Christ Pantocrator
Wikipedia
In religious circles the image of Christ has been called an outpouring of  “torture porn" where we are assailed again and again by images of the pain and suffering inflicted on Christ. I am sure that Jesus existed and I am sure that he was tortured and I am sure that he died although I am unsure of what is to be gained from dwelling on the bestial treatment of a young Jew from Galilee. Yes, he was mistreated by the legal system of the time and we would say that his civil rights were abused. Yes, he was tortured and he was murdered by the Authorities all of which can and does happen today. Jesus or Christ as he became died a horrible death and very much he suffered a visible and public death. It is also true that his death is paraded to medieval humanity again and again in a cavalcade of pain and humiliation. Who has not shed a tear at the story of The Passion? Mel Gibson certainly tapped into the idea of The Passion and we can see the traditionalist view where the more blood that is shed and the more skin that is lashed from the body then the better film that is made. The more blood the better and this is in a  very medieval context and it is this context that has warped our present perception of faith and religion and faith and burials. Christians have, from the earliest times, been addicted to death. Rather than rejoicing in the light they have surrounded themselves with the bones of the dead and have revelled in death with images of the ‘Momenti Mori’. Death, pain and suffering are natural for the Christian as they use Earth as a mere waiting room for immortality as opposed to a place to live in the joys of the world. I am not purveying an hedonistic life here. Instead, I am suggesting that Christians always got it wrong from their earliest days and that their world was twisted from an inherent link to death and a cult of the dead.
Christ Pantocrator
Wikipedia

For me, the Orthodox of the world have this image more in balance with the world. When they wish to imagine Jesus they have wonderful images of Christ Pantocrator. The serene and unchangeable image of Christ that looks down from the walls of the Church and sends forth his blessing and wisdom without recourse to the depressing images of the cross and suffering. The Orthodox can witness the crucifixion and they have icons for that  although these images are balanced by ideas of Kingship and majesty that do not require the death and gore of the cross. For the orthodox, Christ is always Christ. At this time of Pentecost; I am reminded that Christians are once more dwelling on the death of this young Jew and revelling in the blood and the gore.

This idea of the transience of humanity is fine but it also questions why the Christians remained a cult of the dead instead of moving on and into the light. Will Christians forever remain attached to their catacombs, vaults, crypts and dark places?

Sporle

© Godric Godricson





Photography in the UK is more difficult at this time of year compared to any other and a blue sky isn't always the easiest background to manage.

Friday, 25 May 2012

Church in ruins

© Godric Godricson

War dead - Sporle



© Godric Godricson
Robert W. Anderson
Dennis Pegg
Walter Bilham
Charles Sturman
George Blowers
William Thompson
Arthur F Gaskins
Albert E Tye
Benjamin Johnson
Lewis Walker
William G Johnson
Bertie Wilson
Sydney Lane
George Worf
Maurice Palmer

John Withers






John Withers the son of George and Mary Withers. This stele memorial is likely not to survive the coming winter. The surface is very crumbly and anyone touching the memorial will see 'shelling' as the outer layer comes away and falls to the ground.

"Grave reserved by faculty"


© Godric Godricson

I've never seen this one before in a Church of England cemetery but here we have it. There's a queue to enter the cemetery or at least a waiting list for the best seats in the house!

Thursday, 24 May 2012

Dealings with the dead - 1856

Project Gutenburg :
Dealings with the Dead, Volume I (of 2)
A Sexton of the Old School 
Boston 1856
How long—oh Lord—how long will thy peculiar people disregard the simple, unmistakable teachings of common sense, and the admonitions of their own, proper noses, and bury the dead, in the very midst of the living!—Above all, how long will they continue to perpetrate that hideous folly of burying the dead, in tombs! What a childish effort, to keep the worm at bay—to stave off corruption, yet a little while—to procrastinate the payment of nature’s debt, at maturity—DUST THOU ART AND UNTO DUST THOU SHALT RETURN!—For what? That the poor, senseless tabernacle may have a few more months or years, to rot in—that friends and relatives may, from time to time, be enabled, upon every re-opening of the tomb, to gratify their morbid curiosity, and see how the worms are getting on—that, whenever the tomb is unbarred, for another and another tenant, as it may often happen, at the time, when corruption is doing its utmost—its rankest work—the foul quintessence—the reeking, deleterious gases may rush back upon the living world; and, blending with ten thousand kindred stenches, in a densely peopled city, promote the mighty work of pestilence and death. Who does not sympathize with Cowper!

Oh for a lodge, in some vast wilderness,
Some boundless contiguity of shade,
Where the atrocious smells of docks, and sewers,
eruptive gas, and rank distillery
May never reach me more. My lungs are pain’d,
My nose is sick, with this eternal stench
Of corpse and carrion, with which earth is fill’d.

I am not unmindful, that, in a former number of these Dealings with the Dead, I have passed over these burial-grounds, and partially exhibited the interior of these tombs already. But there really seems to be a great awakening, upon this subject, at the present moment, at home and abroad; and I rejoice, that it is so.


" hideous folly of burying
the dead, in tombs!
© Godric Godricson

I am aware, that, within the bounds of old, peninsular Boston, no inhumations—burials in graves—are permitted. This is well.—Burials in tombs are still allowed.—Why? This mode of burial is much more offensive. In grave burial, the gases percolate gradually; and a considerable portion may be reasonably supposed to be neutralized, in transitu. This is unquestionably the case, unless the grave is kept open, or opened, six times, or more, on the speculation principle, for the reception of new customers. In tomb burial, it is otherwise. The tomb is opened for new comers, and sometimes, most inopportunely, and the horrible smell fills the atmosphere, and compels the neighboring inhabitants, to close their windows and doors.

As, with some persons, this may seem to require authentication, without leading the reader to every offensive graveyard in this city, I will take a single, and a sufficient example—I will take the oldest graveyard in the Commonwealth, and the most central, in the city of Boston. I refer to Isaac Johnson’s lot, where, in 1630, his bones were laid—the Chapel burying-ground. The Savings Bank building bounds upon that cemetery. The rooms of the Massachusetts Historical Society are over the Bank.

The stench, produced, by burials in the tombs, in that yard, during the summer of 1849, has compelled the Librarian to close his windows. Tomb burial, in this yard, has not been limited to deceased proprietors, and their relatives; it has, in some instances, been a matter of traffic. I have been struck with the present arrangement of the gravestones, in this yard. Some ingenious person has removed them all, from their original positions, and actually planted them, “all of a row,” like the four and twenty fiddlers—or rather, in four straight rows, near the four sides of the graveyard. This is a queerer metamorphosis, than any I ever read of. Ovid has nothing to compare with it. There they are, every one, with its “Here lies,” &c., compelled to stand forever, a monument of falsehood.

"ten thousand kindred stenches"
© Godric Godricson
Of all the pranks, ever perpetrated in a graveyard, this, surely, is the most amusing. In defiance of the lex loci, which rightfully enjoins solemnity of demeanor, in such a place—and of all my reverence for Isaac Johnson, and those illustrious men, who slumber there, I was actually seized with a fit of uncontrollable laughter; and came to the conclusion, that this sacrilegious transposition must have been the work of Punch, or Puck, or some Lord of misrule. As I proceeded to read the inscriptions, my merriment increased, for the gravestones seemed to be conferring together, upon the subject of these extraordinary changes, which had befallen them; and repeating over to one another—“As you are now, so once was I.” As it happened, in the case of Major Pitcairn, should any person desire to remove the ashes of his ancestor, these misplaced gravestones would surely lead to the awakening of the wrong passenger; and some venerable old lady, who died in her bed, may be transported to England, and buried under arms, for a major of infantry, who died in battle.

Why continue to bury in tombs? Surely the sufferance on the part of the City Government, does not arise, from a respect for vested rights!!! If the City Government has power to close the offensive cellars in Broad Street, and elsewhere, being private property, because they are accounted injurious to public health, why may they not close the tombs, being private property, for the very same reason? Considerations of public health are paramount. When, upon an application from a number of the liquor-sellers, wholesale and retail, in this city, Chancellor Kent gave his opinion, adverse to their hearts’ desire, that the license laws were constitutional, he alluded, analogically, to the power of the Commonwealth, to pass sanatory laws. If the municipal power were deemed inadequate, legislation would give all the power required. For it would, indeed, be monstrous, having settled the fact, that the public health suffered, from burial in tombs, to suppose it a remediless evil.

The slaughter-houses and tanneries, which once existed, in Kilby Street and Dock Square, would not be tolerated now. Originally, they were not nuisances. Population gathered around them—their precedency availed them nothing—they became nuisances, by the force of circumstances. The tombs, in the churchyard, were not nuisances, when population was sparse—though they are so now. But the fact I have stated will increase the evil, from day to day: there can be no more burials, in graves, within the city proper—people will die—and, as we have not the taste nor courage to burn—they must be buried—where? In the tombs—which, as I have stated, is the most offensive and mischievous mode of burial. I have already alluded to some instances of traffic, connected with certain tombs, in the Chapel yard. If some plan be not adopted, a new line of business will spring up, in which the members of my profession will figure, to some extent: many of the present owners of tombs will sell out, and move their dead to Mount Auburn, or Forest Hills; and the city tombs will be crammed with as many corpses, as they can hold, by their speculating proprietors. Rather than this, it would have been better to continue the old mode of earth burial. The remedy is plain—the fields are before you—carry out “your dead!”

"The worm and corruption"
 
© Godric Godricson
A famous preacher of eternal torment, and who always, in addition to the sulphurous complexion of his discourses throughout, devoted three or four pages, at the close, exclusively to brimstone and fire; is said, upon a special occasion, to have produced a prodigious effect, upon the more devoted of his intensely agitated flock, by causing the sexton, when he heard the preacher scream BRIMSTONE, at the top of his lungs, to throw two or three rolls, into the furnace below, whose fumes speedily ascended into the church.

This anecdote came instantly to my recollection, some twenty years ago, one Sabbath morning, while attending the services in St. Paul’s church, in this city. The rector was absent, and a very worthy clergyman supplied his place. In the course of his sermon, he repeated, in a very solemn tone, pointing downward with his finger, in the direction of the tombs below, those memorable words of Job—If I wait, the grave is mine house: I have made my bed in darkness. I have said to corruption, Thou art my father: to the worm, Thou art my mother and my sister. Almost immediately—the coincidence was wonderful—I was oppressed by a most offensive stench, which certainly seemed to be germain to the subject. It became more and more powerful. It seemed to me, and I call myself a pretty good judge, to be posthumous, decidedly. I certainly believed it proceeded from the charnel house below. My eyes turned right and left, to see how my neighbors were impressed. The females bowed their heads, and used their handkerchiefs—the males were evidently aware of it; but, with a slight compression of their noses, kept their eyes fixed upon the preacher. Two medical gentlemen, then present, and yet living, pronounced it to be the worm and corruption, and connected it with the burial of a particular individual, not long before.

The case was carefully investigated, by the wardens and others; who were perfectly satisfied, that this horrible effluvium was, very probably, produced, by the burning of a heretic, in the form of a church mouse, that had taken up his quarters, in the pipe or flue, and was thus converted into an unsavory pastille.

Sunday, 20 May 2012

Flowers in Church

© Godric Godricson


In the past I've shown flowers in Churches and that seems OK. I don't show flowers on graves as that seems morally inappropriate as the flowers are a sign of grief and a sign of remembrance and that is an entirely private matter and not to be 'gate crashed' in any manner. Flowers in Church always reminds me of a sort of animism where we place greenery in the Church as a reminder of the world outside. The flowers are a sort of offering to the ancestors in this Christian cult of death.

Is this hard on Christianity? You decide!

Banningham - Norfolk

© Godric Godricson







Saint Botolph parish Church


Hannah Starr - Knapton

Trunch, Norfolk, Starr
© Godric Godricson

Matthew Starr married Hannah Newland  30th April 1782 at nearby Trunch
Father and mother to William Starr Christened 10th August 1783 at Knapton

Friday, 18 May 2012

Signs of faith

© Godric Godricson

Saint Peter's Dunton



Dunton, Norfolk, Parish Church
Saint Peter's Dunton
© Godric Godricson





The 'balcony' over the east End is amazing and it is truly surprising that this was restored after the Reformation. From this somewhat rickety position there is a view of the grave covers in the floor. In the Pre-Reformation period this would also have been for the singing of the Easter Liturgy.

Matthew Lancaster of Dunton

Matthew Lancaster

© Godric Godricson

Martha Case Died 2nd September 1805

Martha Case
Died 2nd September 1805

© Godric Godricson

William Henry Beets

Beets, Burial, Norfolk
William Henry Beets

© Godric Godricson

Thursday, 17 May 2012

God's Acre

English Villages
 P. H. Ditchfield (1901)
Project Gutenburg
"God’s acre"  is full of holy associations, where sleep “the rude forefathers of the hamlet.” There stands the village cross where the preachers stood in Saxon times and converted the people to Christianity, and there the old sundial on a graceful stone pedestal. Sometimes amid the memorials of the dead stood the parish stocks. Here in olden days fairs were held, and often markets every Sunday and holiday, and minstrels and jugglers thronged; and stringent laws were passed to prevent “improper and prohibited sports within the churchyard, as, for example, wrestling, football, handball under penalty of twopence forfeit.” Here church ales were kept with much festivity, dancing, and merry-making; and here sometimes doles were distributed on the tombstones of parochial benefactors, and even bread and cheese scrambled for, according to the curious bequests of eccentric donors".

Theodore, King of Corsica

© Godric Godricson

On Theodore, King of Corsica, written by Horace Walpole.

Near this place is interred. Theodore, King of Corsica,
Who died in this parish Dec. 11, 1756, Immediately after leaving the King’s Bench prison, By the benefit of the Act of Insolvency, In consequence of which he resigned His Kingdom of Corsica For the use of his creditors.


The grave great teacher to a level brings
Heroes and beggars, galley slaves and kings,
But Theodore this moral learn’d ere dead,
Fate pour’d its lessons on his living head,
Bestowed a kingdom and denied him bread.